Again Again and You Know That I Want You Edm

Starting over isn't easy, especially when you've cultivated a fiercely loyal fanbase over the course of a long and storied career.

Feed Me, however, embraces challenges caput-on.

The renowned electronic music producer's latest full-length album, which arrived by way of his ain Sotto Voce imprint, is his nearly cohesive yet. From the funky, triumphant intro of "Big Kitten" to the electro-infused sound of "If It Bounces," Feed Me is a complete alter of stride from what fans have come to expect from the United kingdom of great britain and northern ireland beatsmith.

The tape is assuming and fluid, eschewing digitized production in favor of analog instruments and synths. The expanse of instruments utilized throughout the album speaks to the acute attending of detail Feed Me had while writing it.

In fact, the album is a total reset of Feed Me'due south career thus far, breaking the mold he created past reinventing himself musically. And with this new direction, Feed Me's vision for the future is clearer than ever.

EDM.com defenseless up with Feed Me to chat nearly his cocky-titled anthology, how quarantine influenced his creative process, and what the future holds.

EDM.com: What was the writing process like during the pandemic?

Feed Me:I wrote information technology almost entirely during quarantine. Equally with whatever project I had a stash of ideas that build up and fade abroad or stick around. One or two of the tracks was seeded from those ideas. I would say the vast majority of it was created during lockdown. I tried to build a situation where I was but influenced by the things effectually me. Information technology was beneficial to lean into the isolation. I spent a good showtime function of lockdown getting ahold of new equipment I've ever wanted and trying to create a workflow that I knew would be i of i. From that, I basically merely had a skilful time.

I benefit then much from spending time trying to be as creatively truthful to myself as possible. With so much of the world's distractions removed, I had so much opportunity to hone in on what that means. I know when I look at the tape I can feel all the way through that it'southward exactly what I desire to say in all regards. It's been massively cathartic to get that down and out. Information technology gives me more energy going frontward.

EDM.com: Did you find it more challenging to write music during lockdown?

Feed Me:It would be unfair of me to say information technology was just "fine." Just like everybody else, this has been testing and I've stayed conscious that my situation is a lot more fortunate than other people- even within my manufacture. I'm very lucky to accept this studio and to exist able to afford to sit back and create. That was on my mind a lot while I was working: I needed to make information technology all count. That was a overnice driving source and certainly a humbling one.

This is the longest I've been in i country since I can remember. I started DJing in my teenage years. I've never always been afforded such a long period in my domicile country which has been quite affecting. Something that I didn't wait. I've always used inventiveness as an outlet for my feelings every bit a place to go. I never really felt trapped. Creatively, I constitute information technology beneficial because I had so much time. I was able to bury myself. Equally for the creative aspect, I very much enjoyed it.

c/o Press

EDM.com: Did yous enjoy your extended stay at home?

Feed Me:You come to ascertain yourself as a traveler. I never wanted to travel. I never wanted to DJ or be a musician. These are places I found myself. There are things that come to define huge areas of my life and huge expanses of time. You lot come to dearest them. I'm super grateful for these things. Information technology'southward taught me then much near the planet and people.

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Adjusting to suddenly having so much fourth dimension at home was weird. You have to redefine who you are when yous've come to ascertain yourself as a nomadic music character and you're suddenly grounded in one spot. I had to rediscover my definition of myself. I realized that really immersing myself in the creative process and omitting everything else is when I feel most myself. I had a vivid reintroduction with that feeling.

EDM.com: What did y'all initially meet yourself equally existence instead of a musician or a DJ?

Feed Me:DJing in the sense of how I do it at present wasn't really on my radar when I started making music. I had only seen one or 2 DJs and it was only drum and bass which at the time I saw equally an secret United kingdom of great britain and northern ireland thing. I found out about DJing when I was already releasing Feed Me music and was told these are the shows you're going to play now. It was like going downward a waterslide in terms of the deviation in exposure and the range of people you're coming into contact with. The stimulation was exponentially greater.

Before that, I always had a stiff relationship with art. I had never really separated video, audio, and movement art. I had always drawn and played instruments from a young age but I always imagined things in terms of animation and had a potent interest in that. I have some teaching in special effects. I too have a range of friends that have been a groovy influence on me that aren't just musicians.

When I started Feed Me and it snowballed into what'south basically dictated the terminal 12 years of my life, I fully embraced information technology. I wanted more all the time. The project, the name Feed Me, that's the point of the title. It'southward a generic, consumptive admission to wanting more than and trying to catch at it. You get point when you've been on the road for huge amounts of time and you get a few days reanimation. You get this brief crash where you endeavor to process all the people you've met and all the memories y'all've created. That can feel exhausting. Now when I look dorsum at my releases and people ask most a certain one information technology puts me dorsum at a specific place in time. That can be overwhelming. Overall, I love information technology. I'm trying to become as much washed as I can earlier I shuffle off.

EDM.com: Tin you explain how your self-titled anthology contributes to your project as a whole?

Feed Me:I desire information technology to wipe the slate. When you have a world and you are adding to information technology all the fourth dimension, information technology can offset to feel a little piecemeal and diluted. So I've got lots of images I can draw from, lots of sources of inspiration that I can prove in succession and say 'What happened with these images, paintings, logos, stage presentations?' They might have a general meaning, just given the huge area of time I've had to actually dig in and be creative on my own, it seemed like a smashing idea to destroy all that and get rid of it. I start off right at the beginning past trying to define why I desire to practice this, why am I doing this, how exercise I feel when I'm doing it, and what do I see when I practise it. Everything from the colors to the way I drew the art to the pieces of equipment I chose are what felt closest to the line I had drawn.

In terms of a body of work, it feels like the ane I'm about proud of when I look at it. My career has been multimedia and travel for so long. When I expect at the other albums and talk to people nigh them, they see them as a starting time, a middle, and an end. In my listen, information technology'due south a spiderweb of when I could go things done or when I could travel back to a certain city to end a rail someone. I see a much more sprawling architecture between my other albums. When I expect at this one, I don't come across any of that. Information technology was methodical. I got to take my time and I learned something with every track. The album was done when I was satisfied. It's very cathartic to feel that about a Feed Me tape for me.

EDM.com: Tasha Baxter is a longtime collaborator. What can yous tell me near your relationship and the process of writing "Reckless?"

Feed Me:I'm an 80s child and I've seen a lot of 80s synthwave stuff come and go over the last few years now. Some of information technology has scratched the itch and some of them miss. I started to realize that I had something to say in that infinite. The longer I've done this, the more I've realized fidelity isn't what I'thou after. A lot of the equipment I bought to brand this record was about lowering fidelity and finding ways to find new textures equally a result. With 'Reckless,' I played the instruments on the track and played the synths. I was trying to capture a feeling most my situation. In one case I got to a certain indicate, my friend Oscar came over to play the tiptop guitar line and solo over it. Then, I put it on in the motorcar and drove around at night which sounds cliché, but I wanted to write near how I felt when I was doing that anyhow.

I wrote the song for Tasha. I wrote the guide vocal for her and her voice sits over it lovely. I'chiliad actually in there too: in the refrain in the chorus, in the harmony, and in the span. I coached her through some of the phrasings. She institute it a challenge because this is the first song she's recorded that she hasn't written. She has such a well-formed fashion of interpreting lyrics and timing. Nosotros had to really rehearse and do takes so she could get my phrasing. We had to brand certain she was picking spots between drums and toms to emphasize syllables and things. It had to exist specific. Information technology was skillful fun and she did a neat job. When I expect back at the tracks we've worked on together it reminds me of how much of a happy experience it is to work with her.

A lot of it'due south played on a UDO Super half-dozen. I also used a Korg MS700. I saw 1 in LA years ago and wished I bought information technology and it's played in my mind always since. When lockdown hitting, I went on a hunt. I managed to rails a guy downwards who had one since the mid-80s. He bought it from a psychedelic band in London. It's an oddball synth. I played a lot of leads and groundwork synths live over the track on that to get a little more organic stuff moving around. It doesn't perfectly hold a tune. It doesn't perfectly hold anything. Some of the synths I recorded on a 4-rails with a particularly bad cassette to pass the sounds from magnetics to binary. Information technology's a sort of a game of lo-fi lawn tennis.

EDM.com: Tell us a fleck more almost the instruments you used while writing the album.

Feed Me:I made a couple of decisions before writing this album. I wanted to make sure I was away from the computer as much as possible. I tried to lean towards items that I felt similar I should exist using. I always wanted a Red Special, so I spent a while finding the right version of that. Information technology'south a guitar that I've been emulating for a long time as Feed Me simply never had a straight path to. My LYRA-8 is a skilful case too. I've always benefitted creatively from trying to create eccentric situations within the project and generate results I didn't necessarily ask for. Information technology's a car afterwards my ain centre. I used a lot of modular synths. Almost all of the percussion was recorded hither just to effort to keep it organic. That's always something I've wanted in my music.

shortening all the distances creatively has made me feel closer to the final result, even down to the tempo of the tracks. I did a lot of them without looking at the numbers and playing bass to a vanquish that I made without a drum machine trying to stay away from staying with a tempo I'k comfy with. Definitely didn't approach this as a dance album. I know intrinsically I can make stuff that I desire to dance to but when you lot become into a system every bit working equally a trip the light fantastic artist you start producing tracks that are made to mechanically fit into a ready. I wanted to remove those stipulations and just work to my own drum. Turning this into a alive show is something I'm doing retroactively which is a secondary creative attempt for me and makes it interesting all over again.

FOLLOW FEED ME:

Facebook: facebook.com/youfeedme
Twitter: twitter.com/feedme
Instagram: instagram.com/feedme
Spotify: spoti.fi/2Nbc2G0

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Source: https://edm.com/interviews/feed-me-self-titled-album-interview

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